Shani Parvat in Hand (शनि पर्वत और शुक्र)

Seedha jawab

Log shani parvat in hand madhyama (मध्यमा) ki jad ka ubhaar dekhte hain, jise shani (शनि) parvat (पर्वत) kehte hain. Shukra (शुक्र) parvat anguthe ki jad ka bada ubhaar hai. Dono ek doosre ki jagah nahi le sakte. Til, anaj jaisa daana, ya trishul (त्रिशूल) ka naam tabhi dijiye jab nishaan saaf dikhe. Dhundhla bindu daana nahi, aur teen halki khaanon ka jhund trishul nahi. Shani parvat ko parampara lambe kaam, dhairya aur vyavastha se jodti hai. Shukra parvat ko aaram, kala aur logon ke saath narmi se. Dono jhukaav hain, inaam ya saza nahi. Ek saaf nishaan bhi vachan nahi hota.

Do parvat alag hain

Parvat ungli ke neeche ka woh ubhra hissa hai jo hatheli ko samtal nahi rehne deta. Shani ka hissa seedha madhyama ke neeche hai, beech ki ungli ki jad. Yahan se neeche bhagya (भाग्य) rekha aksar guzarti hai, par rekha aur parvat ek cheez nahi. Parvat ek maidan hai. Rekha us maidan par ya uske kareeb ki lakeer hai. Maidan ko lakeer ka naam de dena, ya lakeer ko maidan ka, dono galti hain. Pehle ungli pakdiye, phir jad ka ubhaar, phir us par koi nishaan hai ya nahi.

Shani parvat ko akela bhaari ya akela kathor mat kahiye. Parampara yahan lambe samay wale kaam ki bhasha rakhti hai: jo kaam jaldi phal na de, jo roz ek niyam maange, jo intezaar se chale. Yeh bhasha saza ki bhasha nahi. Chhota ubhaar is kaam ki kami ka ilzam nahi, aur bada ubhaar is kaam ka certificate nahi. Dono haath dekhiye. Roz wale haath par ubhaar kaam ki aadat se thoda alag dikh sakta hai. Farq ko pakka natija mat banaiye. Ubhaar ek jhukaav dikhata hai, umr ka hisaab nahi.

Shukra parvat anguthe ki jad

Shukra parvat anguthe ki jad par, hatheli ke us bade hisse mein, hota hai jo anguthe ko ghumane par ubharta hai. Yeh shani wale beech ke ubhaar se bahut bada maidan hai, isliye us par kai lakeerein ek saath dikh sakti hain. Un sabko shukra ka ek hi nishaan mat keh dijiye. Parampara is maidan ko aaram, swad, kala, aur logon ke saath narmi se jodti hai. Narmi ka matlab har rishte ka faisla nahi. Maidan yeh nahi batata ki kaun sa bond banega. Woh sirf itna kehta hai ki yeh vishay hatheli par ek alag jagah rakhta hai.

Anguthe ki jad ko jeevan rekha ghereti hai. Jeevan rekha is parvat ki seema jaisi dikhti hai, par seema aur maidan alag hain. Rekha ko parvat, aur parvat ko rekha, mat kahiye. Saaf ubhaar ko parampara is vishay ki uplabdhi ki or jhukta hua padhti hai: aaram aur roop ko jagah dena. Daba hua ya kam ubhaar is vishay ko chhota karne ka ilzam nahi. Haath ka bhaari kaam, sookhi chamdi aur roshni ubhaar ko alag dikha sakte hain. Ek jhalak par naam mat dijiye. Pehle angutha, phir jad, phir nishaan, isi kram mein.

Nishaan tabhi jab saaf ho

Anaj jaisa daana ek chhota, gol, alag ubhaar ya gahra bindu hota hai, jo maidan par ek daane ki tarah alag dikhe. Teen khaanon ka ek saaf trishul tab hai jab teen bhujayein ek bindu se khulna saaf dikhe, na ki teen alag lakeerein jo bas paas se guzar gayin. Jab yeh shakal pakki na ho, naam rok dijiye. Parampara daane ko us parvat ke vishay ka ek ghana note maanti hai, aur saaf trishul ko us vishay ke teen raaston ka note. Note inaam nahi. Dhundhle par naam lagana padhai ko kahani bana deta hai.

Til (तिल) aur daana ek shabd nahi. Til aksar ek chhota bindu hota hai. Daana usse zyada ubhra ya saaf gol maana jata hai. Har bindu ko daana keh dena, aur har teen lakeer ko trishul, hatheli ko stamp se bhar deta hai. Is desk par niyam ulta hai: shakal kamzor ho to naam kamzor rakhiye, ya naam hata dijiye. Saaf roshni, khuli hatheli, aur do baar dekhna is niyam ka hissa hai. Ek baar ki jhalak par shani ya shukra ka khaas nishaan nahi diya jata. Dono parvat is niyam ko ek saath maante hain.

Daana tabhi

Daana ka naam tab dijiye jab nishaan ek chhote anaj jaisa alag dikhe, aur aas paas ki barik lakeeron mein ghula na ho. Shani parvat par aisa saaf daana lambe kaam ke vishay ka ghana note kaha jata hai. Shukra parvat par wahi shakal aaram aur kala ke vishay ka note kahi jaati hai. Jagah badalne se arth ka maidan badalta hai, isliye pehle parvat pakka kijiye. Daana na to rank hai, na dhan ki rasid. Use ek chhote, saaf nishaan ki tarah likhiye. Shakal kamzor ho to yeh naam mat dijiye.

Trishul tabhi

Trishul tab hai jab teen bhujayein ek hi bindu se saaf khulein. Shani parvat par ise lambe kaam ke teen raaston ka sanket kaha jata hai: jaise niyam, hunar aur waqt ke teen side, na ki teen naukriyon ki suchi. Shukra parvat par teen raaste aaram, roop aur logon ke saath ke vishay mein padhe jaate hain. Suchi mat banaiye. Teen alag lakeerein jo ek bindu se na khulein, balki bas paas se guzrein, trishul nahi. Shakal pakki na ho to yeh naam rok dijiye.

Cross ya grid jaisa nishaan

Cross tab hai jab do lakeerein ek bindu par seedha milen, aur grid kai lakeeron ka jaal. Inhe daana ya trishul mat kahiye. Shani parvat par cross ko parampara lambe kaam ke ek mod ya ek rukawat ke note ki tarah padhti hai, saza ki tarah nahi. Shukra parvat par wahi shakal aaram ya rishte ke vishay ke ek mod ki tarah padhi jaati hai. Mod ka matlab ant nahi. Grid ko aur bhi kam pakka rakhiye, kyunki barik lakeerein jaal jaisa dikha deti hain. Jab jaal saaf na ho, naam hata dijiye aur sirf maidan padhiye.

Ek nakshe par padhai

Ek class ka nakshe sochiye, kisi vyakti ka faisla nahi. Maan lijiye madhyama ki jad par ubhaar saaf hai, aur uske beech ek chhota gol daana do baar dekhne par bhi alag dikhta hai. Pehla kadam: yeh shani parvat hai, shukra nahi. Doosra kadam: daana tabhi naam paata hai jab shakal saaf ho, aur yahan saaf hai. Teesra kadam: arth lambe kaam ka ghana note hai, rank nahi. Class yahin rukti hai. Aage yeh nahi likha jata ki kaun sa saal kaam dega. Nakshe ne maidan aur nishaan bataya, natija nahi.

Ab doosra nakshe rakhiye. Anguthe ki jad par bada ubhaar hai, par teen lakeerein alag alag hain, ek bindu se nahi khulti. Galat naam trishul hoga. Sahi padhai yeh hai ki shukra parvat hai, par trishul ka naam nahi banta. Class mein yeh line dohraayi jaati hai: kamzor shakal par khaas naam nahi. Agla vakya yeh nahi ki aaram kam hai ya zyada. Ubhaar ka maidan alag se, nishaan alag se. Dono ko mila kar ek kahani mat banaiye. Udaharan yahi farq sikhane ke liye hai, kisi ki kismat likhne ke liye nahi.

Parvat akela faisla nahi

Shani aur shukra ke maidan hatheli ke do hisse hain, poori hatheli nahi. Unke upar ungliyan hain, unke beech rekhaayein, aur kalai par aur lakeerein. Ek parvat ko poora jeevan bana dena baaki nakshe ko chup kara deta hai. Lambe kaam wala jhukaav aur aaram wala jhukaav ek saath reh sakte hain. Unka saath koi jang ka elan nahi. Kabhi ek maidan saaf hota hai, doosra kam. Yeh farq ek jhukaav dikhata hai: kahan haath ki bhasha zyada boli jaati hai. Kahan zindagi ka natija likha hai, yeh farq nahi batata.

Isliye na shani ko bhaari bojh ka poster banaiye, na shukra ko aaraam ka coupon. Dono padhai ke shabd hain. Daana aur trishul tab aur bhi halki aawaz mein bolne chahiye, kyunki unka naam shakal par tika hai. Shakal na ho to naam hata dijiye, maidan reh jaata hai. Maidan bhi vachan nahi. Roz ka niyam, kala ki practice, aur logon ke saath ka vyavhaar in maidan ke bahar seekha jata hai. Hatheli un aadaton ki jagah nahi le sakti. Yahi seema dono parvaton ko imaandar rakhti hai.

Saath mein padhiye

Shani aur shukra ko baaki parvaton ke saath padhiye. Guru, surya, budh aur in dono ki jagah parvat par ek saath hai, taaki ek ubhaar ko doosre ka naam na mil jaaye. Badi rekhaon ka nakshe hast rekha par hai. Rekha aur parvat ko wahan alag rakha gaya hai. Jo sawal janm din ke ank ka ho, woh ank jyotish ki bhasha hai. Ank parvat ka daana nahi banta, aur daana ank ki jagah nahi leta. Do bhashaon ko ek stamp mat banaiye.

Janm ka chart alag drawing hai. Use dekhna ho to free kundli se shuru kijiye, par chart ko hatheli ka proof mat maaniye. Dincharya ka note rashifal par chhota hota hai. Use parvat ka faisla mat banaiye. Jab aapke haath ka ubhaar aur nishaan aapke apne sawal se judna chahe, tab consultation par likhiye. Consultation daane ko vachan nahi banati. Woh maidan, shakal aur seema ko ek saath baithati hai. Uske baad bhi niyam, practice aur vyavhaar aapke roz ke kaam mein rehte hain.

Sawaal

Shani parvat chhota ho to kya

Chhota ubhaar lambe kaam ki kami ka ilzam nahi, aur bada ubhaar certificate nahi. Shani parvat madhyama ki jad ka maidan hai. Parampara use dhairya aur lambe niyam se jodti hai. Ubhaar haath ke kaam, chamdi aur roshni se alag dikhta hai. Use ek jhukaav ki tarah padhiye. Pakka natija, saza ya inaam is maidan se nahi nikalta. Pehle jagah pakki kijiye. Phir nishaan tabhi naam dijiye jab shakal saaf ho. Maidan akela poori hatheli nahi hai.

Har bindu daana hota hai kya

Nahi. Daana ek chhota, gol, alag nishaan hai, jo barik lakeeron mein ghula na ho. Sadhaaran til ya halka bindu daana nahi kehlata. Shakal do baar, seedhi roshni mein, saaf dikhni chahiye. Tab bhi daana us parvat ke vishay ka note hai, rasid nahi. Shani par note lambe kaam ka hai. Shukra par note aaram aur kala ka hai. Jagah ke bina naam mat dijiye. Kamzor shakal par naam rok dena sahi padhai hai.

Trishul har jagah ek jaisa arth rakhta hai kya

Shakal ek ho sakti hai, maidan alag hota hai. Saaf trishul teen bhujaon ka nishaan hai, teen alag lakeeron ka jhund nahi. Shani parvat par ise lambe kaam ke teen raaston ka sanket kaha jata hai. Shukra parvat par wahi shakal aaram aur logon wale vishay mein padhi jaati hai. Kahi bhi yeh suchi, rank ya vaada nahi. Pehle yeh dekhiye ki teen bhujayein ek bindu se khulti hain. Na khulein to naam mat dijiye.

Shukra parvat aur jeevan rekha ek hain kya

Nahi. Shukra parvat anguthe ki jad ka ubhaar hai, ek maidan. Jeevan rekha us maidan ko gherne wali lakeer hai. Rekha aur maidan alag padhe jaate hain. Rekha ko urja aur sharir ki thakaan se joda jata hai, umr ki ginti se nahi. Parvat ko aaram, kala aur narmi se. Dono ek doosre ke paas hain, isliye unka naam badal jaana aam galti hai. Pehle angutha pakdiye, phir ubhaar, phir lakeer. Paas hona unhe ek cheez nahi bana deta.