Hriday Rekha (हृदय रेखा और मस्तिष्क रेखा)

Seedha jawab

Hriday rekha (हृदय रेखा) is desk par kanishta (कनिष्ठा) ki taraf se tarjani (तर्जनी) ki or chalti hai. Mastishk rekha (मस्तिष्क रेखा) uske upar hoti hai. Hriday bhav (भाव) ka sanket (संकेत) hai. Mastishk soch ka sanket hai. Do shakha (शाखा) mil kar bhi poori kahani nahi likhti. Do baanhein do note hain, poora jeevan nahi. Hast rekha (हस्त रेखा) yahan vaada (वादा) nahi deti. Aadat, dhyaan aur roz ka vyavhar in lakeeron ke bahar hain. Ek aakar ko poori zindagi ka adhyaay mat banaiye.

Kanishtha se tarjani ki or

Hriday rekha ka raasta bahari kinare se shuru karke padhiye, chhoti ungli ki taraf se, aur use tarjani ki or le jaaiye. Yeh anguthe ke gird wali jeevan rekha nahi hai. Yeh beech se upar uthne wali bhagya (भाग्य) rekha bhi nahi. Yeh sab aakar hain. Aakar kisi vyakti ka naam nahi rakhte. Pehle lakeer ko uske raaste se pehchaniye. Pehchaan ke bina jo kahani shuru ho, woh galat rekha par likhi jaati hai.

Dono haath dekhiye, roshni seedhi rakhiye, ungliyan dheeli rakhiye. Roz kaam wala haath ab ke vyavhar ki taraf jhukta hai. Doosra haath purana jhukaav zyada dikhata hai. Ek par lambi hriday rekha aur doosre par chhoti rekha koi dand nahi. Farq sirf itna hai ki dono nakshe ek jaise nahi. Chamdi kheench kar lakeer mat banaiye. Sookha haath zyada silvat dikhata hai. Ek jhalak par poori kahani mat likhiye. Kahani se pehle raasta.

Mastishk rekha upar hai

Is desk par mastishk rekha hriday rekha ke upar rakhi jaati hai, ungliyon ke kareeb. Upar ka matlab yahan ungliyon ki taraf hai. Mastishk soch, dhyaan aur sawal ko thaamne ki lay se jodi jaati hai. Hriday uske neeche rehti hai, bhav ki lay se. Dono ke beech ka faasla bhi nakshe ka hissa hai. Bada faasla do note ke beech zyada jagah dikhata hai. Chhota faasla unhe paas baithata hai. Faasla na inaam hai, na dand. Door aur paas dono sanket hain.

Naam isi kram mein rakhiye. Kram yeh hai: upar mastishk, neeche hriday, aur hriday ka raasta kanishta se tarjani ki or. Jeevan rekha in dono se alag, anguthe ke gird. Teenon ko ek lakeer mat kahiye. Kabhi do lakeerein kisi bindu par milti dikhti hain. Milna unhe ek nahi bana deta. Pehle har ek ko uske raaste se pehchaniye, phir milne ki jagah dekhiye. Ek jhalak mein do naam ek kar dena galat padhai hai.

Do shakha poori kahani nahi

Shakha tab banti hai jab hriday rekha do dikhti baanhon mein bat jaaye. Do baanhein bhav ke do note hain, ya ek note ki do disha. Itna hi. Padhne wale ko kahani ka laalach aata hai, kyunki bantna ek katha jaisa dikhta hai. Laalach ko aakar par rok dijiye. Kahiye: do shakha, do note. Har baanh ko alag daur ya alag plot mat dijiye. Poori kahani do lakeeron se badi hoti hai.

Upar wali mastishk rekha bhi kahani poori nahi karti. Sahi soch ki lakeer, seedhi ho ya mod wali, ek lay ka note hai. Kitaab aadat, logon aur roz ke faisle se banti hai. Hatheli us kitaab ka cover ho sakti hai. Cover ke andar ke saare panne lakeer par nahi hote. Jab do shakha saaf na hon, jab ek silvat sirf kheenchne par bane, tab doosri baanh ka naam hata dijiye. Naam se pehle aakar sthir hona chahiye.

Rekha ke prakar

Hriday rekha ke teen prakar is lekh mein kaafi hain, aur tabhi jab aakar saaf ho. Seedhi rekha. Ruki hui rekha. Aur do shakha wali rekha. Seedhi ek lay ka bhav dikhati hai. Ruki hui beech mein ek mod dikhati hai. Do shakha do disha dikhati hain. Teenon mein se koi poori kahani nahi. Mastishk ko hriday ka prakar mat bana dijiye. Do naam, do aakar, do note. Kam naam padhai ko saaf rakhte hain. Zyada naam shor banate hain.

Prakar se pehle jagah likhiye. Bahari kinare se tarjani ki or chalne wali lakeer hi hriday hai. Usi ke upar chalne wali mastishk hai. Dono haath par prakar alag ho sakte hain. Alag prakar ko ek faisle mein mat ghuseeriye. Ek haath ab ki aadat hai, doosra purana jhukaav. Farq ko note rakhiye. Note ke baad bhi vyavhar aadat se badalta hai, lakeer ke hukm se nahi. Hukm is prakar mein likha hi nahi jata.

Seedhi hriday rekha

Seedhi hriday rekha kanishta ki taraf se tarjani ki or bina bade bant ke jaati hai. Parampara ise bhav ki ek sthir lay se jodti hai. Sthir ka matlab yeh nahi ki bhav kabhi hilta nahi. Matlab itna hai ki lakeer par lay ek disha mein dikhi. Upar mastishk alag se padhiye. Dono seedhi hon to bhi woh poori kahani nahi. Woh do saaf note hain. Lambai se koi samay nahi gina jata. Aadat lakeer se badi cheez hai.

Ruki hui hriday rekha

Ruki hui hriday rekha beech mein rukti hai, phir aage chalti hai, ya ek hisse mein dheemi pad jaati hai. Parampara is aakar ko bhav ki lay mein ek mod kahti hai. Mod saza nahi. Mod poori kahani ka adhyaay bhi nahi. Dekhiye ki dono tukde usi raaste par hain, kanishta se tarjani ki or. Ruki hui shakal tabhi rakhiye jab woh roshni badalne par bhi dikhe. Ek din ki silvat ko mod mat kahiye. Mod aur silvat alag hain.

Do shakha

Do shakha tab maaniye jab hriday rekha ke do sir saaf dikhein, aur dono baanhein kheenchne ki silvat na hon. Parampara inhe bhav ke do note kehti hai. Matlab yeh nahi ki poora jeevan in do baanhon mein likha hai. Upar ki mastishk ko teesri kahani mat bana dijiye. Teenon ko alag note rakhiye. Jahan shakha dheeli hatheli par gayab ho jaaye, wahan naam hata dijiye. Saaf aakar hi is prakar ki haqdar hai. Baaki chup rehne dijiye.

Ek nakshe par padhai

Ek class ka nakshe sochiye. Pehla kadam: neeche wali hriday hai, upar wali mastishk. Doosra: hriday par do shakha saaf hain. Teesra: bhav ke do note, soch ka note alag. Yahin rukiye. Aage yeh mat likhiye ki ghar, kaam aur aadat ke adhyaay kaun se hain. Class ki agli line yeh hai ki kahani nakshe ke bahar hai. Nakshe ne sirf aakar bataya.

Ab nakshe ko badliye. Maan lijiye doosri baanh dheeli hatheli par gayab ho. Sahi padhai: do shakha ka naam hata dijiye. Galat padhai: pehli jhalak ki kahani chipkaye rakhna. Doosra badlav yeh ho ki mastishk ek bindu par hriday ko chhue. Tab likhiye ki do note ek jagah milte hain. Milna unhe ek kahani nahi bana deta. Pehle naam alag, phir milne ki jagah. Udaharan yahin band hai.

Bhav aur soch alag hain

Hriday rekha bhav ki lay hai: kitna paas aane diya jata hai, kitna shaant raha jata hai, kitna khula ya kitna rokha swar rakha jata hai. Yeh jhukaav hain. Jhukaav hukm nahi. Ek vyakti dheere dheere apni lay badal sakta hai. Lakeer us badlav ko rok nahi paati, aur us badlav ka inaam bhi nahi hai. Inaam aur dand is page par hain hi nahi. Page sirf do note alag karta hai.

Dono lakeeron ko buddhi ya bhav ka imtihan mat banaiye. Seedhi mastishk tez soch ka pramaan nahi. Seedhi hriday garam bhav ka pramaan nahi. Ruki hui lakeer kamzori ka ilzam nahi. Do shakha do zindagi ka naqsha nahi. Kahani ki chaah samajh aati hai. Use lakeer ka arth bana dena padhai nahi. Padhai aakar, naam aur had tak hai. Had ke baad roz ka vyavhar shuru hota hai, aur vyavhar lakeer se bada hai.

Saath mein padhiye

Hriday rekha aur mastishk rekha ko akela nahi, poore hath ke nakshe mein rakhiye. Unki jagah, kram aur seema hast rekha par ek saath likhi hai, taaki jeevan rekha ya bhagya rekha inme ghul na jaaye. Jo sawal janm din ke ank ka ho, woh ank jyotish par jaata hai. Ank bhav ya soch ki kahani nahi likhta. Do bhasha alag pankti chahti hain. Ek pankti mein dono ko mat ghuseeriye.

Janm ka chart dekhna ho to free kundli se drawing kholiye. Dono ek vyakti par alag bol sakte hain. Alag bolna jhooth nahi. Jab sawal personal ho, aur aap chahein ki raasta, prakar aur seema ek saath baithe, tab consultation par seedha likhiye. Consultation do shakha ko poori kahani nahi banati. Woh naam aur had ko ek saath rakhti hai. Uske baad bhi vyavhar aapki aadat par rehta hai. Baithak vachan nahi likhti.

Sawaal

Hriday rekha kahan se kahan jaati hai

Is desk par hriday rekha kanishta ki taraf, bahari kinare, se shuru karke tarjani ki or jaati hai. Raasta seedha ho sakta hai ya halka mod le sakta hai. Mod kahani nahi. Upar mastishk rekha alag hai. Pehle raasta pakka kijiye, dono haath par, seedhi roshni mein. Phir prakar dekhiye: seedhi, ruki hui, ya do shakha. Uske baad bhi poori kahani mat likhiye. Lakeer bhav ka sanket hai. Sanket aadat ki jagah nahi leta.

Mastishk rekha hriday ke neeche hoti hai kya

Is desk par nahi. Mastishk rekha hriday rekha ke upar hai, ungliyon ke zyada kareeb. Hriday uske neeche, kanishta se tarjani ki or. Upar soch ka note hai, neeche bhav ka note. Naam beech mein badal dena arth ko hila deta hai. Kabhi dono milti hain. Milna unhe ek lakeer nahi banata. Pehle har ek ka raasta alag likhiye. Dono haath par kram alag dikhe to dono note alag rakhiye. Ek shabd mein dono haath ko mat daba dijiye.

Do shakha poori kahani likhti hain kya

Nahi. Do shakha do note hain. Ghar, kaam aur aadat ki poori suchi yahan nahi likhti. Upar ki mastishk bhi bachi hui kahani poori nahi karti. Jahan doosri baanh dheeli hatheli par gayab ho, wahan naam hata dijiye. Saaf do sir hi is prakar ki haqdar hain. Unhe alag daur ya alag plot mat dijiye. Plot ka laalach samajh aata hai. Use aakar par rokna hi padhai hai. Padhai do note tak hai. Poori kahani roz ke vyavhar mein rehti hai, lakeer par nahi.

Hriday rekha ruki hui ho to kya padhein

Ruki hui hriday rekha ko bhav ki lay ka ek mod padhiye. Yeh saza nahi aur poori kahani ka adhyaay nahi. Dono tukde usi raaste par hone chahiye, kanishta se tarjani ki or. Upar ki mastishk alag rahe to use alag naam dijiye. Roshni badalne par jo rukawat gayab ho, uska naam hata dijiye. Aadat is mod ke bahar hai. Mod ko hukm mat banaiye. Hukm nahi, sanket. Sanket ke baad vyavhar khud aage badhta hai.